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is one of the most dramatically situated in
the world. The queen's architect, Senenmut, designed it and set it
at the head of a valley overshadowed by the Peak of the Thebes, the
"Lover of Silence," where lived the goddess who presided over the
necropolis. A tree lined avenue of sphinxes led up to the temple,
and ramps led from terrace to terrace.
The porticoes on the lowest terrace are out of proportion and
coloring with the rest of the building. They were restored in 1906
to protect the celebrated reliefs depicting the transport of
obelisks by barge to Karnak and the miraculous birth of Queen
Hatshepsut. Reliefs on the south side of the middle terrace show the
queen's expedition by way of the Red Sea to Punt, the land of
incense. Along the front of the upper terrace, a line of large,
gently smiling Osirid statues of the queen looked out over the
valley.
In the shade of the colonnade behind, brightly painted reliefs
decorated the walls. Throughout the temple, statues and sphinxes of
the queen proliferated. Many of them have been reconstructed, with
patience and ingenuity, from the thousands of smashed fragments
found by the excavators; some are now in the Cairo Museum, and
others the Metropolitan Museum of Art, New York.
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The mortuary temple of Queen Hatshepsut is one of the most dramatically situated in the world. The queen's architect, Senenmut, designed it and set it at the head of a valley overshadowed by the Peak of the Thebes, the "Lover of Silence," where lived the goddess who presided over the necropolis. A tree lined avenue of sphinxes led up to the temple, and ramps led from terrace to terrace.
The mortuary temple of Queen Hatshepsut is one of the most dramatically situated in the world. The queen's architect, Senenmut, designed it and set it at the head of a valley overshadowed by the Peak of the Thebes, the "Lover of Silence," where lived the goddess who presided over the necropolis. A tree lined avenue of sphinxes led up to the temple, and ramps led from terrace to terrace.
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